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Table of Contents
Call for Close-Up Submissions
- Still Got the News: Fifty Years Out on Finally Got the News
- The Harder They Come: The Legacy Continues
- A Wide Shot: Expanding the Frame on Melvin Van Peebles
Articles
Looking Back, Reeling Forward: Wanuri Kahiu's Rafiki
- Njeri Githire
Ava DuVernay, an Unexpected Independent Black Queen in Hollywood?
- Carla Toquet
Hieroglyphics of the Film: Stuplimity and Static in the Films of Ja'Tovia Gary
- Kelli Moore
"Baby I'm a Star": Prince, Purple Rain, and the Audiovisual Remaking of the Black Rock Star
- Jack Hamilton
Containing the Wonder Doctor: Sidney Poiter, the Cold War, and Liberal Reformation
- Luke Sayers
Superimposing Sex-Politics in Melvin Van Peeble's Sweet Sweetback's Baadasssss Song
- Trung T. Le
Interviews
Music to My Eyes: A Conversation with Alain Gomis
- Guillaume Coly
Screening Intimacy, Vulnerability, and Sensitivity Between Black Men: An Interview with Rodney Evans
- Charles I. Nero
Close-Up: Contemporary Cuban Cinema
Introduction
- Aisha Cort
Memories of Overdevelopment: Subverting the Cuban Revolutionary Filmic Archive
- Enrique Gonz�lez-Conty
Invisible Presences: The Aesthetics of Dami�n Sainz in Bater�a
- Anastasia Valecce
Presencias invisibles: La est�tica de Dami�n Sainz en Bater�a
- Anastasia Valecce
Afro-Cuban Histories through a Fractured Lens: Gloria Rolando's Aesthetic Approach to the Decolonial Imaginary in Ra�ces de mi coraz�n and 1912, Voces para un silencio
- Patrick Crowley
The Life and Work of Afro-Cuban Filmmaker Gloria Rolando: Conversations with Magia L�pez and Catherine Murphy
- Magia L�pez and Catherine Murphy
Close-Up: Moonlight
Introduction: Transforming Space in the New Black Hollywood: Movement and Memory in Barry Jenkins's Moonlight
- David C. Wall
"Can't Be No Worse Out Here": Radical Queer Black Ecologies in Barry Jenkins's Moonlight
- Hannah Skjellum
Barry Jenkins and Moonlight in Miami: Home Girls Respond
- Audrey Thomas McCluskey
OLIVIER BARLET DOSSIER
Les salles de cin�ma en Afrique sud saharienne francophone (1926�1980) / Movie Theaters in French-Speaking Africa South of the Sahara (1926�1980), by Claude Forest: A Welcomed and Essential Historical Work
- Olivier Barlet
FESPACO 2021: Feature Films, a Return to the Future>
- Olivier Barlet
AFRICAN WOMEN IN CINEMA DOSSIER
La Noire de�, La Passante and Many Others: Framing Cinematic Representations of Afro-Descendant Women, Identity, and Positionality in France
- Beti Ellerson
