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Black Camera

Spring 2019

Please click the image to read Black Camera on JSTOR.

Table of Contents

Call for Close-Up Submissions

BlacKkKlansman (2018): On the Right Side of History

Contemporary Black Horror

Calls for Book Chapter Submissions

Edited Volume on Contemporary Black Hollywood


African Focus

White Supremacy, "Colored-ness," and Queerness in Oliver Hermanus's Skoonheid / Beauty
-Nicole Devarenne

Complex Realism: Paulin Soumanou Vieyra and the Emergence of West African Documentary Film
- Rachel Gabara

Theorizing Globalization in Ethiopia's Movie Industry
-Steven W. Thomas

Locating Nollywood Film Music at the Intersection of Individualism and a Commodified Identity
-Emaeyak Sylvanus

Diasporic Focus

A Call from Inside the House: Broadcasting the Black Audio Film Collective's Postcolonial Critiques on Channel 4
-Alison Wielgus

Diasporic Communion and Textual Exchange in Beyonce's Lemonade and Julie Dash's Daughters of the Dust
-Jamie Ann Rogers

Mother Myths: Cinematic Representation of Eurocentric Diffusion in Losing Isaiah
-Assatu N. Wisseh


Boots Riley on Sorry to Bother You and the Matter of the "Good Fight"
-Michael T. Martin with Yalie Kamara

Africultures Dossier

Privileging Other Writings: Interview with Alain Gomis at the Carthage Film Festival 2019, Tunis
- Olivier Barlet

African Women in Cinema Dossier

African Women, Cinema, and Leadership: Empowerment, Mentorship, and Role-Modeling
-Beti Ellerson


'Black Is...' and That's the Beauty of It: Ten Propositions Concerning the Visible and the Visual, in Consideration of Black Cinema and Black Visual Culture
-Keith M. Harris

Black Best Friend: A Manifesto
-Jess Brooks

The Association for the Advancement of Cinematic Creative Maladjustment: A Manifesto
-Cauleen Smith

Book Review

Martin Botha, South African Cinema 1896-2010
-Anna-Marie Jansen van Vuuren