Table of Contents
Call for Close-Up Submissions
BlacKkKlansman (2018): On the Right Side of History
Contemporary Black Horror
Articles
African Focus
White Supremacy, "Colored-ness," and Queerness in Oliver Hermanus's Skoonheid / Beauty
-Nicole Devarenne
Complex Realism: Paulin Soumanou Vieyra and the Emergence of West African Documentary Film
- Rachel Gabara
Theorizing Globalization in Ethiopia's Movie Industry
-Steven W. Thomas
Locating Nollywood Film Music at the Intersection of Individualism and a Commodified Identity
-Emaeyak Sylvanus
Diasporic Focus
A Call from Inside the House: Broadcasting the Black Audio Film Collective's Postcolonial Critiques on Channel 4
-Alison Wielgus
Diasporic Communion and Textual Exchange in Beyonce's Lemonade and Julie Dash's Daughters of the Dust
-Jamie Ann Rogers
Mother Myths: Cinematic Representation of Eurocentric Diffusion in Losing Isaiah
-Assatu N. Wisseh
Interview
Boots Riley on Sorry to Bother You and the Matter of the "Good Fight"
-Michael T. Martin with Yalie Kamara
Africultures Dossier
Privileging Other Writings: Interview with Alain Gomis at the Carthage Film Festival 2019, Tunis
- Olivier Barlet
African Women in Cinema Dossier
African Women, Cinema, and Leadership: Empowerment, Mentorship, and Role-Modeling
-Beti Ellerson
Documents
'Black Is...' and That's the Beauty of It: Ten Propositions Concerning the Visible and the Visual, in Consideration of Black Cinema and Black Visual Culture
-Keith M. Harris
Black Best Friend: A Manifesto
-Jess Brooks
The Association for the Advancement of Cinematic Creative Maladjustment: A Manifesto
-Cauleen Smith