A Tribute to Mbye Cham (1947-2025) - Beti Ellerson
Call for Close-Up Submissions
Sinners (2025): Critical Approaches to Ryan Coogler's Groundbreaking Black Vampiric Horror Film
Beyond the Text: New Cinema Histories in the Caribbean
In Focus
The Future of African Filmmaking: A Roundtable Discussion - Akin Adeṣọkan and Michael T. Martin
Article
Filming Precarious Subjects: A Conversation with Amandine Gay and Enrico Bartolucci - Jimia Boutouba
CLOSE-UP: Sambizanga: Aesthetics and Politics in Sarah Maldoror's Film
Sambizanga (1972): Aesthetics and Politics in Sarah Maldoror's Film: An Introduction - Gust Burns
Sambizanga Unfolded: Nationality, Translation, and Feminism in a Revolutionary Film - Sofia Afonso Lopes
Sambizanga: The Thin Green Line Between Canons and Revolutions - Jennifer Blaylock
Anticolonial Public Service? Swedish Television and the Funding of Sambizanga - Christian Rossipal
[Retracted] Aesthetics of Liberation: Carceral Intimacies in Sarah Maldoror's Sambizanga (1972) [This article is retracted due to valid concerns about academic integrity] - Dineo Maine
On Screening Sambizanga in Lagos: A Conversation by the Monangambee Film Collective - Alicia Abieyuwa Bergamelli, Chrystel Oloukoï, Esé Emmanuel
Reflections on Sarah Maldoror's Sambizanga: An Interview with Annouchka de Andrade - Gust Burns
CLOSE-UP: Revisiting Sara Gómez
Revisiting Sara Gómez: An Introduction - Jamie Ann Rogers
Agnès Varda, Sara Gómez, and the Communist Semidocumentary - Julia Alekseyeva
Reviving Gestures and Insect Life in the Films of Sara Gómez: Ethical and Aesthetic Issues of Digital Restoration - Rebecca Gordon
African Women in Cinema Dossier
"Faire boutique": Reframing Safi Faye's place in Petit à Petit by Jean Rouch - Beti Ellerson
Olivier Barlet Dossier
The Sembène and Vieyra Archives in Bloomington: An Interview with Alain Sembène, Jacques Vieyra, and Stéphan Vieyra - Olivier Barlet
